To achieve this, LRK proposed a range of light-frame buildings that took advantage of offsite prefabricated construction to animate the streetscape with a variety of building volumes and scales.
“The idea of an internal street became an important focal point, creating an interesting central connective spine to unite the site,” says Damon Brider, an LRK architect and designer who also worked on the project. “To unify the buildings, each one was designed to represent a historical use loosely related to the former nearby railway.” Nicknamed the factory, the company office, the beam house, and the stack house, the buildings worked together to create a cohesive and engaging architectural narrative—one informed by history without devolving into theme park kitsch.
The result is a unique assortment of four four- to six-story buildings featuring one-, two- and three-bedroom apartments and townhomes. Amenities include rooftop decks with views of downtown Nashville, five courtyards, a restaurant/bar and ground-level food, fitness, and retail spaces. “In essence, we’re trying to create a very walkable, human-scaled community that is entirely brand new, but feels like it’s always been there,” Brider says.
Repetition and prefabrication is where developers can realize the speed and cost-saving benefits of light-frame construction. Light-frame is LRK’s go-to construction system for this type of project, Brider says, and LC Germantown makes heavy use of panelized light-frame construction fabricated off-site and assembled on-site using a just-in-time method.
All four buildings are relatively straightforward and use Type V construction with the exception of the five-story beam house, which is Type III-A Construction.
“There’s a lot of repetition in our design, as you can see in the window formats,” Sullivan says. “And the balconies are additive rather than cutting into the building, which simplifies the panelized system, since it’s all in one plane without much undulation.” The simple shape of the buildings complements this approach, but still includes variations at the end caps or where the walls bump out.
“We likely saved months with this simplified, prefab light-frame method,” Sullivan says. “Everything happens quickly when all the materials are right there ready to go.”
But it’s this repetition and prefabrication that, without a thoughtful approach, can also make these projects overwhelmingly bland, Sullivan points out. “To combat this we really focused on variation in façades, proportions, and materiality—including historical tiebacks, like the brick detailing, which provide a historical thread.”
The design team also broke down the visual mass of the buildings by incorporating horizontal and vertical breaks to avoid monotonous, unvaried walls. “Changes in color palettes and stepping in the façades also create depth and dimension—and give it the character we associate with more established neighborhoods,” he adds.
LRK’s focus on façade and material variation is, in fact, backed up by urban design research. In a study that measured people’s responses to various city environments, including physiological metrics captured by wearable sensing devices, participants were strongly affected by building façades. According to the study, if building façades were complex and interesting, they affected people in a positive way—higher physiological arousal and self-reported mood; and if façades were simple and monotonous, they affected people more negatively—lower physiological arousal and self-reported mood.
Façades, streetscapes, and a project’s amenities are becoming increasingly vital as the size of multifamily units are being progressively scaled down in an effort to cut costs and boost density. LC Germantown units start at less than 500 square feet, along with a selection of townhomes that range from 1,500 to 2,000 square feet. Nonetheless, despite the smaller sizes, the developer has been successful in attracting tenants.
“The biggest selling point of LC Germantown is it’s not just a basic apartment complex, but a community with character,” Sullivan says. “For example, the unit finishes and interior corridor designs in the company building are entirely different from those in the factory building. One has a loft-like interior, while the other has a more tailored look. These smaller boutique buildings allow people to choose the unit type and finish palette that best fits their lifestyle and personality.”
The design team also believes LC Germantown’s success is thanks, in part, to the thought put into the project’s thriving streetscape—which is drawing in more than just tenants. Unlike many traditional closed-gate multifamily development amenities, LC Germantown’s restaurant, bar, gym, and wellness and coworking venues are open to all.
“One of the biggest amenities for LC Germantown that is not listed on the official amenity list is the internal streetscape and outdoor public space,” Brider says. “As multifamily units inevitably get smaller, we need to provide spaces for tenants to gather, socialize, and recreate, and this street serves that purpose. It acts as a civic corridor, with all the other amenities connecting to it. People can spill out onto the street and connect with neighbors, and it functions like an outdoor living room for the community.”